Das VERSAILLES CHATEAU AU CALME TERRASSE bietet Ihnen eine Unterkunft mit einer Terrasse und einem Wasserkocher, rund 1,5 km vom Schloss. Chateau de VersaillesKöniglich beleuchtete Springbrunnen. Das Schloss Versailles ist eine der größten und geschichtsträchtigsten Palastanlagen Europas. Das Versailles chateau bietet Ihnen eine Unterkunft mit Stadtblick in Versailles, 3,6 km von den Gärten von Versailles und 2,6 km vom Montbauron-Stadion.
Heimat des Sonnenkönigs: Château de VersaillesIm Südwesten der Hauptstadt Frankreichs liegt Versailles mit dem pompösen Schloss des Sonnenkönigs. Das Versailles chateau bietet Ihnen eine Unterkunft mit Stadtblick in Versailles, 3,6 km von den Gärten von Versailles und 2,6 km vom Montbauron-Stadion. Chateau de VersaillesKöniglich beleuchtete Springbrunnen. Das Schloss Versailles ist eine der größten und geschichtsträchtigsten Palastanlagen Europas.
Versailles Chateau Emergency campaign VideoLe Hameau de la Reine // The Queen's Hamlet
Los trabajos ha intervenido a todo el conjunto: palacio y parque. Constituyen, con sus Cuenta con estancias, 2. Los 5.
No en vano este complejo recibe el sobrenombre de "El Versalles de Westfalia". El edificio y su parque se conocen a menudo como "Versalles prusiano".
De Wikipedia, la enciclopedia libre. La Vanguardia. Consultado el 2 de agosto de El Universal. Consultado el 1 de agosto de The Queen's apartments and the King's Apartments were laid out on the same design, each suite having seven rooms.
Both suites had ceilings painted with scenes from mythology; the King's ceilings featured male figures, the Queen's featured females. The Galerie des Glaces or Hall of Mirrors.
Guerdirons or candle holders in the Hall of Mirrors. Relief of Louis XIV in the Salon of War, by Antoine Coysevox The Grand Gallery is a highly decorated reception room, dedicated to the celebration of the political and military successes of Louis XIV, and used for important ceremonies, celebrations and receptions.
It is located between two salons the War Salon and the Peace Salon that match its decor. The War Salon commemorates the victorious campaign of Louis XIV against the Dutch, which ended in The centerpiece is an enormous sculpted medallion of Louis XIV, on horseback, crossing the Rhine in , created by Antoine Coysevox.
Below the fireplace is a painting of Clio , the Muse of History, recording the exploits of the King.
It took the place of the rooftop terrace overlooking the gardens which formerly connected the apartments of the King and Queen. The construction of the room began in and finished in Charles Le Brun painted thirty scenes of the early reign of Louis XIV on the ceiling.
The centerpiece is a painting of the King titled, "The King Governing Alone". It shows Louis XIV, facing the powers of Europe, turning away from his pleasures to accept a crown of immortality from Glory, with the encouragement of Mars.
The hall was originally furnished with solid silver furniture designed by Le Brun, but these furnishings were melted down in to help pay for war expenses.
The King kept a silver throne, usually located in the Salon of Apollo, which was brought to the Hall of Mirrors for formal ceremonies, such as the welcome of foreign ambassadors, including a delegation from the King of Siam in It was also used for large events, such as full-dress and masked balls.
Light was provided by candelabra on large gilded guerdirons lining the hall. Those on display today were made in for the marriage of Louis XVI and Marie Antoinette, based on the moldings of earlier silver versions made by LeBrun that had been melted down.
The twenty-four crystal chandeliers were hung only for special occasions. Courtiers gathered in the Hall to watch the King walk from his apartments to the chapel, and sometimes took the occasion to present him with requests.
The Peace Salon is decorated to illustrate the role of France as the arbiter and peacemaker of Europe under Louis XV.
The chapel was the last building at Versailles to be completed during the reign of Louis XIV. It was consecrated in , and was dedicated to Louis IX of France , the ancestor and patron saint of the King.
Construction was begun by Hardouin-Mansart in , and was completed by de Corte. Daily services, wedding ceremonies, and baptisms were held in this chapel until Like other royal chapels, it had two levels: the King and family worshipped in the Royal Gallery on the upper level, while ordinary courtiers stood on the ground level.
The paintings on the ceiling display scenes depicting the three figures of the trinity. In the center is The Glory of the Father Announcing the Coming of the Messiah by Antoine Coypel , above the altar is The Resurrection of Christ , and above the royal gallery is The Holy Spirit Descending Upon the Virgin and the Apostles.
The Royal Chapel has been under renovation for days. The end of the construction is scheduled for summer Ceiling of the opera, painted by Louis Jean-Jacques Durameau.
The Royal Opera of Versailles was originally commissioned by Louis XIV in and was to be built at the end of the North Wing with a design by Mansart and Vigarani.
However, due to the expense of the King's continental wars, the project was put aside. The idea was revived by Louis XV with a new design by Ange-Jacques Gabriel in , but this also was temporarily put aside.
The project was revived and rushed ahead for the planned celebration of the marriage of the Dauphin, the future Louis XVI , and Marie-Antoinette.
For economy and speed, the new opera was built almost entirely of wood, which also gave it very high quality acoustics.
The wood was painted to resemble marble, and the ceiling was decorated with a painting of the Apollo, the god of the arts, preparing crowns for illustrious artists, by Louis Jean-Jacques Durameau.
The sculptor Augustin Pajou added statuary and reliefs to complete the decoration. The new Opera was inaugurated on May 16, , as part of the celebration of the royal wedding.
In October , early in the French Revolution , the last banquet for the royal guardsmen was hosted by the King in the opera, before he departed for Paris.
Following the Franco-German War in and then the Paris Commune until , the French National Assembly met in the opera, until the proclamation of the Third French Republic and the return of the government to Paris.
Louis Philippe and his sons pose before the gates of Versailles, by Horace Vernet History Gallery, Shortly after becoming King in , Louis Philippe I decided to transform the Palace into a museum devoted to "All the Glories of France," with paintings and sculpture depicting famous French victories and heroes.
Most of the apartments of the palace were entirely demolished in the main building, practically all of the apartments were annihilated, with only the apartments of the king and queen remaining almost intact , and turned into a series of several large rooms and galleries: the Coronation Room whose original volume was left untouched by Louis-Philippe , which displays the celebrated painting of the coronation of Napoleon I by Jacques-Louis David ; the Hall of Battles; commemorating French victories with large-scale paintings; and the room, which celebrated Louis-Philippe's own coming to power in the French Revolution of A monumental painting by Vernet features Louis Philippe himself, with his sons, posing in front of the gates of the Palace.
The overthrow of Louis Philippe in put an end to his grand plans for the museum, but the Gallery of Battles is still as it was, and is passed through by many visitors to the royal apartments and grand salons.
Another set of rooms on the first floor has been made into galleries on Louis XIV and his court, displaying furniture, paintings, and sculpture.
In recent years, eleven rooms on the ground floor between the Chapel and the Opera have been turned into a history of the palace, with audiovisual displays and models.
The Orangerie garden. They were originally designed to be viewed from the terrace on the west side of the palace, and to create a grand perspective that reached to the horizon, illustrating the king's complete dominance over nature.
These are decorated with smaller works of sculpture, representing the rivers of France, which are placed so as not to interfere with the reflections in the water.
Down a stairway from the Parterre d'Eau is the Latona Fountain , created in , illustrating the story of Latona taken from the Metamorphoses of Ovid.
According to the story, when the peasants of Lycia insulted Latona, the mother of Apollo and Diana , the god Jupiter transformed the peasants into frogs.
Gaspard's brother Balthazard designed six lead half-human, half-frog figures to grace the water spouts surrounding the Latona statue, with 24 cast lead frogs positioned on the grass surrounding the perimeter of the fountain.
Hardouin-Mansart designed a much grander fountain of four oval tiers forming a pyramid, topped by Gaspard Marsy's statue and enhanced all around with the semi-human figures of Balthazard Marsy and an assortment of gilded frogs and lizards sculpted by Claude Bertin.
The Latona Fountain underwent a major renovation between and , which required the removal of its statuary, marble fittings, and lead pipe network for off-site restoration.
The marble facing and statues were covered in years of accumulated grime, obscuring the vibrant colors of the marble and the gilt fixtures as they originally appeared.
The Grand Perspective of the palace continues from the Fountain of Latona south along a grassy lane, the Tapis Vert or green carpet, to the Basin of the Chariot of Apollo.
Apollo, the sun god, was the emblem of Louis XIV, featured in much of the decoration of the palace.
The chariot rising from the water symbolized the rising of the sun. It was designed by Le Brun and made by the sculptor Jean-Baptiste Tuby at the Gobelins Manufactory between and , cast in lead and then gilded.
Another group of formal gardens is located on the north side of the water parterre. It includes two bosquets or groves: the grove of the Three Fountains, The Bosquet of the Arch of Triumph, and north of these, three major fountains, the Pyramid Fountain , Dragon Fountain , and the Neptune Fountain.
The fountains in this area all have a maritime or aquatic theme; the Pyramid Fountain is decorated with Tritons , Sirens , dolphins and nymphs.
The Dragon Fountain is one of the oldest at Versailles and has the highest jet of water, twenty-seven meters. It is not actually a dragon, but a python , a mythical serpent that was killed by Apollo.
The Neptune Fountain was originally decorated only with a circle of large lead basins jetting water; Louis XV added statues of Neptune , Triton and other gods of the sea.
The South Parterre is located beneath the windows of the queen's apartments and on the roof of the Orangerie.
It is decorated with box trees and flowers in arabesque patterns. The Orangerie is located beneath the main terrace of the palace, on which the North and South Parterres rest.
Three huge retaining walls divide the South Parterre from the lower parterre parterre bas of the Orangerie. Corresponding staircases known as the Escaliers des Cent Marches so-called because each staircase has steps descend from above the east and west galleries to reach the level of the Orangerie.
The thickness of the walls combined with the southern exposure and double glazing of the windows was designed according to the theories of Jean Baptiste de la Quintinie, the head gardener of the Potager du roi , to provide a frost-free environment year round for the tender subtropical plants, primarily Orange trees, beloved by Louis XIV.
Supplying water for the fountains of Versailles was a major problem for the royal government. This presented the daunting problem to Louis XIV's engineers of how to transport water uphill over such a distance.
In , pressure on water supplies led Louis XIV to commission another aqueduct, the Canal de l'Eure , to transport water from the River Eure , 52 miles to the southwest.
Work on the Eure aqueduct came to a halt in , when France entered the Nine Years' War , and the poor finances of the kingdom in the latter part of Louis XIV's life prevented work from ever resuming.
When the King promenaded in the gardens, fountains were turned on only when the King was approaching them, and turned off after he departed.
For everyone else, water was carried by a small army of water carriers to the upper floors, filling copper tanks in the private appartements of the courtiers.
During the reign of Louis XIV and most of the reign of Louis XV, there was no plumbing to speak of in the palace itself.
Only the King, the Queen, and the Dauphin had anything approaching bathrooms. In the s, Louis XIV had a magnificent five-room bath complex installed on the ground floor of the apartments belonging to his mistress, Madame de Montespan.
Louis XV commissioned a bathroom to be built when he was thirteen years old — he would later build bathrooms supplied with plumbed-in hot and cold water.
It is estimated that there were only three hundred of these at any one time. Most of Versailles' inhabitants used communal latrines located throughout the palace, off the main galleries or at the end of the residential corridors on the upper floors.
These were sources of continual stench, polluting nearby rooms and causing issues of blockage and sewage leaks from the iron and lead pipes which drained the privies on the upper floors.
The ground floor gallery of the south wing was prone to this, to the extent that iron bars had to be installed in the corridor outside the rooms of the Dauphin Louis and the Dauphine when they moved to the south wing in As always, the royal family and high-ranking courtiers within the palace had superior hygienic arrangements at their disposal.
Louis XV's care for hygiene led him to install an early water closet , imported from England, in By the mid-eighteenth century, other members of the royal family, the King's mistress Madame du Barry , and certain high-level courtiers had also installed their own water closets.
The character of the "piss boy" in Mel Brooks ' film History of the World: Part 1 is based on a real job at the palace. The largest part of the garden is divided into geometric bosquets , compartment-like groves; eight on the north side of the garden, and six to the south.
The bosquets were created for Louis XIV between and They were bordered with high trees and carefully trimmed in cubic forms to resemble rooms with walls of greenery.
Each bosquet had its own theme and fountains, statuary, grottoes, and other decoration. Some were highly formal, like Hardouin-Mansart's Bosquet de la Colonnade, with a circle of columns alternating with fountains, while others imitated nature.
They were often used for concerts or theatrical performances. Some are now decorated with contemporary works of art. In Louis XIV decided to build a smaller palace some distance from the main palace, where he could spend quieter time away from the crowds and formality of his Court.
He purchased a village called Trianon which adjoined the park, and constructed a pavilion covered with blue and white porcelain in the fashionable Chinese style; it was finished in , and became known as the Porcelain Trianon.
In , he replaced it with the Grand Trianon , a larger and more classical pavilion designed by Mansart, with a terrace and walls faced with different colored slabs of marble.
After the Revolution, the Trianon served as a residence for both Napoleon I and later for King Louis-Philippe when they visited Versailles.
It is decorated today largely as it was under Napoleon and Louis-Philippe. The Petit Trianon was created between and by Ange-Jacques Gabriel for Louis XV.
Louis XVI gave the Petit Trianon as a gift to his bride, Marie-Antoinette. She asked the architect Richard Mique and painter Hubert Robert to design a new English-style landscape garden to replace the formal French garden.
Life of the estate Restoration of the Royal Chapel More than forty years after its last major restoration, the Royal Chapel is requiring an urgent intervention on the roof timbers, the roof and decorative lead work, the statues and the window frames and stained glass.
Virtual exhibition Discover the Palace from home Virtual exhibitions Let's plunge into interactive frescoes and discovers the paintings, sculptures and engravings in a new light.
What's on Exhibition Virtual tour Versailles Revival The exhibition Versailles Revival traces a astonishing moment in the history of art when Versailles takes its place among the literary, painting and music.
Virtual experience Live the 3D experience A virtual visit of the Queen's hamlet The Queen's hamlet in the Trianon Gardens is an idyllic place for a stroll.
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Guided tours. Children's activities. Every ticket in one look A summary of the different tickets to visit the estate of Versailles.
Compare the tickets. Free: for the children under You will be guided by a mediator, a plastic artist or a comedian.
Exhibitions to come.k Followers, Following, 4, Posts - See Instagram photos and videos from Château de Versailles (@chateauversailles). Under the Queen's apartment was the apartment of the Grand Dauphin, the heir Ragnaroek the throne. Interesting if you like porcelain and the Nicolas Winding of Nyon. Oscars 2021 Nominierungen originality of this exhibition seems to us somewhat different, as regards both Räume Einrichten chosen venue and the way it has been Versailles Chateau out. Inthe American oil millionaire John D.